Nine looks built on one quiet formula: an oversized silk shirt unbuttoned at the top three buttons, its collar falling open across the neck and collarbones, worn over a short skirt that stops just above the knee.

The shirts run from ivory and pearl white through cream and champagne — plain silk, silk with a soft sheen, and a light silk kept deliberately unfussy. Each skirt stays in a single steady colour: charcoal, peacock blue, deep grey, deep brown, ink blue, moss green, slate grey and dusty blue, all cut narrow and straight at the waist.

Every look is finished with sheer pantyhose that run from the toes all the way up to the waist as one continuous layer, the same layer wrapping the hips — fine silver-grey ribbing, charcoal mesh, a soft grey diagonal weave, black with a soft sheen, and black with a faint dot pattern.

Closed-toe pointed heels with a slim stiletto: dark brown suede, nude patent, caramel suede, ivory satin, black nap, wine patent, caramel patent and deep brown satin.

Each frame sits in a real old room — a photo studio with its velvet backdrop and plate camera, a laundry with slatted shelves and wicker baskets, a post office counter with brass stamps, an archive with labelled file boxes, a kitchen with white porcelain plates, a clockmaker’s bench, an apothecary counter with a brass balance, a record shop with stacked sleeves and a gramophone, and an old ice-cream parlour with upturned glasses. In every frame her hands are busy with one small task, and the light settles along the line of her neck and collarbones.

Every image is created entirely by AI.